I've launched a NEW website to sell my books.  You can check it out right now at http://www.willzeilingerauthor.com.

From now on my blog will be for book and writing related things but not for selling my books. the ad for THE FINAL CHECKPOINT will remain.

I hope you enjoy the new site!

Until May 31 you can get this Ebook

FOR ONLY 99 cents

Kindle (amazon.com), Nook (barnesandnoble.com), 

iPad (iTunes)

and for your PC, tablet and all other readers (smashwords.com)

West Hollywood Book Fair Signing

Janet and I  were in the Sisters in Crime L.A. booth signing our books September 29, 2013

Look on the right side and you'll see I have THE FINAL CHECKPOINT in print for those who don't like Ebooks.  You can order a copy direct from me and use PayPal -  I'll ship it right away!

Thanks, Will Zeilinger

Will Zeilinger and Janet Elizabeth Lynn at first joint book signing in Cerritos, California April 23, 2013

All available at amazon.com, barnesandnoble.com, iTunes(Applestore), SonyEbooks, and at smashwords.com in all formats.

An excerpt from -THE LAST CHECKPOINT

Right now I needed to finish a job for a client. The romance novel cover photos I shot for a publisher last Thursday needed changes. The client wanted the female model to have green eyes, so I made her eyes green. Longer hair, no problem. I can adjust the lighting with Photoshop and of course they always want me to change the model’s cup size - up. 

For this latest Steampunk themed cover shot, I posed the beautiful young Victorian woman in the arms of what I’d call a hunky geek. In one of his hands I’d placed a LeMat revolver and in the other, a swooning Lori Armbruster. My raven-haired female model wore a riveted leather and velvet corset over several diaphanous silk petticoats. André, the muscular, blonde male model was dressed in an Australian Bush Coat, opened at the chest of course, with no shirt underneath. A pair of brass rimmed goggles were pushed up on his forehead. I had my makeup artist add a little grime on both their faces since this was set in the age of steam engines. I’d shot it on a green screen so the publisher’s graphics people could drop them into a photo composite background illustration for the book cover. That was all great, except now they didn’t want the woman’s face to be grimy, so I had to electronically touch up her complexion because they’re too cheap to pay for a reshoot. I love my job!